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CHECK OUT THE TOP TEN LOVECRAFT THINGS TO DO THIS SUMMER at LIFE IN THE SHADOWS
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Streets Ahead – First Edition – With Maddy McCoy and JQ Gaines
We’re delighted to publish the First Edition of Streets Ahead, the wonderful Women’s Street Photography Column that both Maddy McCoy and JQ Gaines run. This is an incredibly exciting Column…
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Archetypes | THE TRICKSTER
See him hiding in plain sight, with charm and flair, smoking your cigarettes and drinking all the rum, promising you the moon with one face and stealing your immortal soul and your pocketwatch with the other. The trickster more often than not cannot be understood, merely guessed at, for he wears many masks and takes delight in playing the fool to make greater fools of others. He is a black hole at the centre of the story with many reflecting facets, a blind spot in the hero’s vision, sucking up all the love and light and truth and turning them into shining rupturing distractions. He is a gateway to transformation and the underworld, with chaos at his right hand and death at his left, and a terrible whimsy in between. Change is the song he sings, and chaos the ruin that he wreaks. Like a particularly toothsome shark, he will never stop moving onward.
He cannot abide any absolute or rule, will rattle at the cages of authorities until they come tumbling down. He likes to watch worlds crashing and burning and whirling like a whizzing firecracker with them. He has no care for good or evil, no need for the usual vices and virtues of humanity. Where others see fate and patterns, morality and honour, gods and righteousness, he sees only lies stretched over mayhem, and plays with them like a child playing cat’s cradle. Lies are his mother tongue, and with them he shapes and reshapes himself and the world to his liking. He may be destructive or merry, precise or bacchanalian, dealing out death or candy or all at once, but he is never, ever tame. He has no means but chaos, no plan but disorder, no motive but winning whatever fickle game he is playing against the universe, and so may be left standing alone in a burning wreckage that he never intended to create. (He will probably laugh for the flames anyway).
He charms, he whittles at wills, he holds up a mirror to your soul and will twist your mind until everything you see is so warped you will trust only him to speak the truth. And the truth he will speak; only just enough truth to fit his purpose best. He is not a guide; though he may become one by chance or boredom. Humanity is a fascination for him; an ongoing project. He may hate, or he may love, but only in strange ways unbound from traditional emotion, from right or respect or truth, but in creeping, crawling, manic ways that burn and turn the object of his love inside out; that sends them howling mad into the abyss until they destroy themselves or come out the other side burned clean, like earth scorched and made fertile to grow things not seen ever before.
What he desires above all else is to be free, free to pursue his pleasures in all their caprice and recklessness through the playground of the world. Yet often, in the end, he is bound for his crimes against nature. He will always rise again. Change is his game.
Examples: The Devil, Hannibal, Jack Sparrow, Tyler Durden, Loki (when he’s not trying to rule the world), Robin Goodfellow, Iago, Prometheus, Howl Jenkins, the Doctor, Alice Morgan, Moriarty, Anansi, Coyote, The Joker.
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Posted on May 7, 2013 via The Art Of Animation with 3,591 notes
Source: theartofanimation
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This gave me chills.
Jack Nicholson, who played the Joker in 1989 - and who was furious he wasn’t consulted about the creepy role - offered a cryptic comment when told Ledger was dead.
“Well,” Nicholson told reporters in London early Wednesday, “I warned him.”That last quote gave me chillsReally? Interesting if true
I read something that said he told him not to do it. Joker is one of, if not the, most sadistic villains. He kills to kill. There’s no method. Which is why all of the previous portrails were campy or jokey.
There is no way you can portray a character like that and not bring home even the smallest bits of it. It’s kind of sad. The Joker was scary as shit, and I honestly believe that getting into that character messed with his head.
It would be really interesting to see the notebook Ledger kept while working up the character, maybe it did mess with his head.. and that quote is something to think about, if true.
(via twistedcysts)
Posted on May 7, 2013 via My Mind with 94,330 notes
Source: danivalentine
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The Academy of Modern Ruins is repurposing this abandoned gas station on Route 66 as The Philosopher’s Library. Submit a book that’s changed your life
(via perpetualcollapse)
Posted on May 7, 2013 via Invisible Stories with 255 notes
Source: invisiblestories
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I suggest all females watch this.
*i suggest all humans watch this.
THIS SHOULD BE REQUIRED WATCHING FOR ALL HUMANS
I’m a 17 year old white guy living in middle class America. I’ve never exactly been a supporter of feminism because that kind of thing has never really affected me personally. I don’t notice it and I don’t care about it. But in nine minutes this video has made what is truly a serious problem extremely apparent. Those “why I need feminism” posts or those slut-shaming or rape culture campaigns never convince me of anything. But this video actually did I think.
tl;dr This video kicks ass, just watch it.
Stop what you’re doing and watch this
(via tinapunk666)
Posted on May 7, 2013 via Open the pod bay doors, HAL with 252,156 notes
Source: dave-bowman




